![]() When bespoke music written to picture isn’t an option, many companies will turn to trusty production music libraries like those of Universal. If you need to know where and when you could use production music, and how to find the very best, read on. The composers don’t usually get the glory like TV and film composers but there is some incredible production music out there. I see production music as an unsung hero of the music industry. Files can be accessed and transferred to an inserted SD Card. Powered by a rechargeable lithium-ion battery and packing 16 gigs of on-board storage, the MPC Live features numerous ways to take your beloved sample library and MPC sessions anywhere. He has supplied samples to artists like Danger Mouse and Disclosure and through this, had a hand in the worldwide number on hit record ‘Crazy’ by Gnarls Barkley Weighing in at less than 6 pounds, the MPC Live ushers in a new era of ultra-portable production. Essentially combining traditional folk instrumentation with cinematic strings.Īs well as producing new music for Universal Andrew Stannard looks after an archive of old recordings on the Bruton and Chappell labels. I know Andrew through my work on the Filmic Folk production music albums I did for Universal. He’s produced countless albums in all manner of genres and has worked with seasoned media composers as well as beat makers, electronic producers, and specialist composers. The rest of this guide will go into a few details on some of the other choices as well as the ones mentioned above. Finally in terms of value-for-buck, take a look at the Furman M-8Dx. A budget alternative that is affordable for most producers is the Pyle PCO850. We are the UKs largest independent production music publisher. The Furman P-1800 AR is the best power conditioner to get for a home studio. Andrew brings some music trivia gold to the table with the revelation that one of Hollywood’s biggest composers wrote a TV quiz show theme.Īndrew has worked in Production Music for over 20 years, starting off as a music supervisor for Zomba, moving into sales for BMG before joining the production department at Universal. This iframe contains the logic required to handle Ajax powered Gravity Forms. We look at what makes a great production music track, from using unique sonic textures to splicing unexpected genres. In this episode I’m talking to Andrew Stannard, a senior producer at Universal Production Music (UNIPPM)Īndrew and I reveal our love for 80s TV themes and hark back to an era when big melodic hooks were an industry staple.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |